Bhakshak Movie Review

Plot

Bhakshak is a dark and disturbing film based on true events that sheds light on the dark truths of a girls' shelter home. The story revolves around Vaishali Singh, a fearless journalist, who unearths a heinous crime of abuse within the shelter. Despite facing obstacles and resistance, she embarks on a relentless mission to bring justice to the victims.

Acting

Bhumi Pednekar delivers a powerful performance as Vaishali, the journalist driven by a sense of purpose. Her portrayal is convincing, confident, and empathetic, making her a strong protagonist. The supporting cast, including Sanjay Mishra as Bhaskar Sinha and Sai Tamhankar as SSP Jasmeet Kaur, adds depth and intensity to the story. Aditya Srivastava's portrayal of the antagonist is chilling and hate-inducing, showcasing his acting prowess.

Cinematography

The cinematography by Kumar Saurabh effectively captures the darkness of clumsy streets and sheds of a small town. It creates an atmosphere that immerses the audience in the harsh realities of the shelter home. The use of visual elements enhances the impact of the film, evoking a sense of disgust and discomfort.

Direction

Directed by Pulkit, Bhakshak presents a gripping narrative that builds its case slowly and steadily. The film avoids sensationalism and focuses on portraying the horrific crimes in a realistic manner. However, the direction falls short in delivering a heavier impact, as the film meanders at times and lacks novelty in its portrayal of corrupt systems and powerplay.

Conclusion

Bhakshak is a compelling yet flawed portrayal of a disturbing reality. It highlights the urgent need to address abuse and corruption within shelter homes. The film's powerful performances, effective cinematography, and thought-provoking storyline make it a worthwhile watch. However, it could have benefitted from a stronger execution and more hard-hitting revelations. Overall, Bhakshak succeeds in starting a conversation and creating awareness about the issues faced by victims of abuse.