Ek Deewane Ki Deewaniyat


A powerful politician becomes infatuated with a strong-willed superstar, igniting a fiery romance. However, their love turns toxic, fueled by obsession and pride. As tensions rise and secrets unfold, their relationship faces heartbreak, leading them to confront the consequences of their actions and the true cost of love.
October 21
2025
Release Date
Hindi
Language
20 minutes
2 hours
Running Time
Cast


Harshvardhan Rane


Sonam Bajwa


Sachin Khedekar


Shaad Randhawa
1.5
Average Rating
The above-mentioned average rating is based on the derived ratings of multiple review platforms
OH Review


Movie Review: Ek Deewane Ki Deewaniyat
Plot
"Ek Deewane Ki Deewaniyat" attempts to revive the sensational love stories that dominated the Bollywood scene in the 90s, but with a darker twist. The film follows Vikram Aditya Bhosle, a power-hungry politician who falls head over heels for the famous Bollywood superstar, Adaa Randhawa. Initially, the story holds promise, starting off on a nostalgic note infused with color and energy, setting the stage for a classic tale of love. However, soon after, the narrative descends into a murky realm of obsession and emotional turmoil.
After Vikram's marriage proposal is flatly rejected by Adaa, his infatuation quickly spirals into an unsettling obsession. Rather than gracefully accepting her refusal, Vikram resorts to manipulative and oppressive behavior that culminates in Adaa being shunned from the film industry, leading her career into a nosedive. It’s perplexing how, for the vast majority of the film, the audience is urged to empathize with Vikram despite his abusive antics, which feels tonally discordant in today’s social climate where consent is a burning issue.
The narrative drags on for over two and a half hours, trapping viewers in a bizarre push-and-pull dynamic that often feels more like an emotional torture chamber than a poignant love story. The characters' motivations become muddled as Vikram's emotionally manipulative strategies are presented under the guise of romantic zeal, reducing the significant concept of consent to mere words in the wind. The film unwittingly champions an alarming message: that toxic obsession can be confused with passion. Despite some moments of emotional resonance, it largely relies on clichés and melodrama that have been done to death and often leaves a bitter aftertaste in the viewer's mouth.
Acting
The performances from the lead actors are strong enough to salvage at least part of this convoluted tale. Harshvardhan Rane brings an intensity to his role as Vikram that can draw you in, showcasing his internal struggles deftly. His portrayal of a conflicted character oscillating between passion and madness adds depth to the film. However, there are moments where his performance feels exaggerated and melodramatic, particularly during pivotal scenes that could have benefited from a more nuanced approach.
Sonam Bajwa, playing the female lead, Adaa, delivers a commendable performance that shines among the film’s many faults. She embodies the traits of a strong woman while simultaneously conveying vulnerability, all without veering into caricature. Bajwa’s strong screen presence complements her charisma, and it’s refreshing to see her navigating the complex emotions of her character— even when the script tries to box her into a corner. Unfortunately, the character lacks agency in the face of Vikram's relentless pursuit, leaving Bajwa to do her best despite the screenplay's shortcomings.
Supporting characters exist but often feel more like props than fully fleshed-out individuals. For example, Shaad Randhawa as Vikram’s confidant contributes only superficial reactions that do little to elevate either the plot or the emotional stakes. The roles of the fathers in both leads’ lives also get little exploration, contributing to the overall sense that character depth is sacrificed in favor of attention-grabbing melodramatic exchanges.
Overall, while the lead actors give it their all amidst the cringe-worthy moments, the film’s inconsistent character development ultimately undermines their efforts. Striking a balance between showcasing raw emotion and avoiding over-the-top theatrics is where the acting falters, underscoring the narrative's flaws and leaving viewers desiring a tighter and more genuine portrayal of complex relationships.
Cinematography
The visual aesthetics of "Ek Deewane Ki Deewaniyat" present a mixed bag of vibrant colors and atmospheric settings, which hints at the nostalgic allure of classic Bollywood romances. The cinematography is interspersed with sweeping shots of Mumbai, effectively capturing the chaos and beauty of the city. The filmmakers certainly know how to create picturesque frames, embodying the dream-like escapism that this genre often calls for.
The transitions between scenes are executed with a certain flair, although occasionally fall into predictable patterns—moving steadily from grand public events to intimate moments that fail to resonate as intended. The cinematographer's choices highlight the emotional weight of pivotal scenes but often lean too heavily on the expected Bollywood tropes. For instance, slow-motion shots chosen to amplify dramatic revelations end up feeling clichéd rather than impactful.
Furthermore, the film's reliance on excessive backgrounds and flashy edits overshadows the narrative. While the intention may have been to evoke heightened emotions, it sometimes distracts from the crucial developments between the leads, rendering important dialogues incomprehensible amidst an avalanche of visual effects and loud background scores.
While the visuals can be pleasing on the surface, there’s an underlying lack of cohesion that hinders the storytelling. A more focused visual narrative could have enhanced the emotional stakes and made the relationship between Vikram and Adaa feel more authentic and relatable. As it stands, the cinematography delivers a kaleidoscopic view of a tumultuous love affair but often loses sight of the core story in its ambitious execution.
Direction
Directed by Milap Milan Zaveri, "Ek Deewane Ki Deewaniyat" leaves a lot to be desired in terms of narrative pacing and thematic exploration. Zaveri, along with co-writer Mushtaq Shiekh, appears to have prioritized dramatics over depth, focusing on dramatic back-and-forth dynamics while neglecting the more pressing issues that arise from the relationship depicted. The film's attempt to rehash nostalgic motifs from yesteryears without critically engaging with their implications leads to several missteps that sidestep the necessity of modern sensibilities, especially concerning consent and healthy relationships.
Zaveri sprinkles in a few entertaining moments and a couple of catchy dialogues—likely to elicit audience cheers—but far too often these feel misplaced within the broader narrative context. Characters occasionally seem to pause their arcs for contrived punchlines that do nothing to advance the plot or elevate the emotional stakes. The film oscillates wildly between being a romantic thriller and an over-the-top melodrama, leaving viewers wondering what the creative vision is meant to be.
Throughout its lengthy runtime, the direction lacks a clear commitment to a cohesive tone. Moments of intense emotional upheaval are diluted by lighter scenes that struggle to mesh with the film's darker explorations. The project ultimately feels like a mishmash of ideas with no clear focus, which is particularly troubling given the film's overarching themes involving obsession, love, and the psychological baggage of its characters.
Overall, while there are flashes of potential in Zaveri's direction, the conflicting elements lead to an experience that is painfully uneven and frustrating. The hesitation to tackle deeper themes is evident in the way Vikram is romanticized despite his abusive tendencies, leaving the audience grappling with discomfort rather than the intended engagement. As a result, the film reflects a misguided interpretation of love and obsession that may resonate more with retro cinematic tropes than with contemporary viewers seeking meaningful narratives.
Conclusion
"Ek Deewane Ki Deewaniyat" demonstrates how the attempt to blend nostalgia with modern themes can yield a muddled product. Attempting to emulate the intense romance of the 90s, Zaveri's direction allows for captivating moments to shine through, yet it’s overshadowed by confusing moral lessons about relationships and blatant toxic behavior that ultimately fails to align with today’s understanding of love and consent.
Despite strong performances from Rane and Bajwa, the narrative's flaws compound into an experience that feels more painful than romantic. The film walks a precarious line between love and obsession without ever fully addressing the dangers that come with it. It romanticizes an unhealthy relationship dynamic under the guise of passion, which will likely leave many viewing it with a sense of unease. The sound design and music offer slight reprieves but cannot compensate for the glaring issues present throughout.
In a cinematic landscape grappling with important social issues, "Ek Deewane Ki Deewaniyat" feels like an outdated remnant of a bygone era, failing to evolve with the changing realities of love. Overall, it's more of a cautionary tale cloaked in melodrama than an engaging romance; one that ultimately turns into a cringe-worthy spectacle of unhealthy love. For those who seek genuine romantic tales enriched with depth or compelling narratives, this film is best skipped, as it fails to respect both its audience and the core tenets of modern storytelling.
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